Maxim Vengerov & Polina Osentinskaya
The Richmond Ballet performs Ma Cong’s Thrive and John Butler’s classic interpretation of Carmina Burana at Wolf Trap. Review by Robert Battey.
Mozart’s masterpiece continues to pose problems for today’s directors.
Noseda and the NSO end the season with a winning combination.
The current edition of the Juilliard Quartet offers music-making of depth and quality.
Adolphus Hailstork’s Done Made My Vow is more powerful than ever.
After some strenuous repertoire this spring, the National Symphony Orchestra musicians got a bit of a break this week.
Trifonov sets off fireworks, but not everything syncs up in a program featuring George Walker’s 4th, Prokofiev’s 2nd, and Stravinsky’s rarely performed Firebird ballet.
Oksana Lyniv is the real deal; much sharper detail and vocabulary in her gestures than the musicians have been used to for the past 14 years.
NSO review: Tchaikovsky’s “Pathétique” Symphony & the Rach 3 conducted by Stanislav Kochanovsky at the Knnedy Center, featuring soloist Stephen Hough.
Blue feels like the apotheosis of WNO’s efforts to further the art of opera.
The Orchestre Symphonique de Montréal on the cusp of some heady times.
This ensemble has truly formed a unique profile.
