Noseda and the NSO end the season with a winning combination.

Blue feels like the apotheosis of WNO’s efforts to further the art of opera.

Ride the Cyclone is a viral hit on TikTok, but does it have any appeal beyond Gen Z?

American Shakespeare Center makes a bold move to keep theater alive.

J’nai Bridges seems poised to be the next great American mezzo

WNO wants to address a problematic classic, but the results feel like a punt.

Evan Ziporyn & Maya Beiser’s translation of Bowie’s swan song doesn’t sing

Gemma New gets 2020 off to a great start in her NSO debut

WNO’s American Opera Initiative brings new voices to the stage with impressive results.

Renée Fleming gives voice to Georgia O’Keefe

Returning from abroad, an American heldentenor makes a big impression.

As productions get increasingly creative, has what we expect from The Magic Flute changed?

Good news: WNO solves a key problem with staging Verdi’s Otello.
Bad news: There’s still a long way to go.

The BSO’s Off The Cuff Series omits the best parts of this week’s subscription series.

Pink Martini celebrates their 25th anniversary at the Kennedy Center

Who knew? Staunton, Virginia is the place to get your Shakespeare fix.

Opera Philadelphia resets expectations on the operatic experience, and everyone wins.